000 | 01289 a2200193 4500 | ||
---|---|---|---|
005 | 20190104172850.0 | ||
008 | 190104b xxu||||| |||| 00| 0 eng d | ||
020 | _a9781138202078 | ||
040 | _cIIT Kanpur | ||
041 | _aeng | ||
082 |
_a777 _bF915f |
||
100 | _aFrierson, Michael | ||
245 |
_aFilm and video editing theory _bhow editing creates meaning _cMichael Frierson |
||
260 |
_bRoutledge _c2018 _aNew York |
||
300 | _axvii, 327p | ||
520 | _aFilm and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work. | ||
650 | _aMotion pictures -- Editing | ||
942 | _cBK | ||
999 |
_c559936 _d559936 |